About Red Tales

Here's an evolving electronic collection of short prose pieces, with a poem contributed occasionally. Brevity guides. Although sometimes a piece will run to 900 words, most pieces are much shorter. Here one may find erotica, flash fiction, brief observations, and modest improvisations. Another rule is that each piece must have something to do with"red"; at least the word has to appear in each piece functionally. . . . All pieces are numbered and titled, so there's a de facto table of contents running down the rail below, under "Labels" (scroll down a bit). Browse for titles that look interesting, if you like. Thank you for stopping by. Look for some red today, tonight.

"Flaming June," by Frederick Lord Leighton

"Flaming June," by Frederick Lord Leighton
Showing posts with label Sierra City. Show all posts
Showing posts with label Sierra City. Show all posts

Wednesday, September 21, 2016

254. The Sound of Hammers

The sound of two or more hammers slamming nails into lumber: I recall this; cabins going up in the woods near our place. The arhythmic syncopation fascinated me, and sometimes the hammers would seem to meet and  join into a single pounding, which then fragmented soon.

In our house, listening, I waited for that gathering of hammering. I was too dreamy and cerebral: this isn't news. At age seven, I didn't think of the structures.  I didn't think of work, the faulty aspirations that inform a cabin-building, but I did imagine men in white canvas coveralls on ladders or roofs, and in back pockets, red bandanna handkerchiefs full of snot and sweat.

I'd drawn and pushed into that kind of work, hammering for wages in my teens and twenties.  That sort of work will knock the piss, the vinegar, the dreaminess out of you. And provide cash.

Hammering, I was of course oblivious to the arhythmic beats, the noise, and focused on sending a nail-head home, finishing that day's set of work, the shift.


hans ostrom 2016

Friday, January 27, 2012

185. Migraine

After doing carpentry or carrying hod for 8 hours in summer Sierra heat, I'd sometimes know a migraine headache, which announced itself with a red curtain behind the eyes.

I'd go home and lie on the floor of a room built of concrete blocks: cool and dark: eyes ready to scream at any hint of light, head warning, "Don't move me."  Sometimes the headache subsided slowly, leaving a grudge behind, a thumping reminder. Sometimes I'd see an aura--white, tinges of yellow, faint threads of red....

...And the ache then would burst, eyes going grainy, sandy, and relaxed.  By then all the evening birds were singing, and swallows--black coats, rust-colored breasts--swooped gloriously over the pond as sunset came.

Sunday, August 23, 2009

78. Sedan In the Manzanita

In the brush just below the Buttes Road, someone abandoned an old Ford sedan. Yes, a steel car sat in manzanita.

Who? Why? We didn't ask those questions. We rode by. No one ever towed the car. The thing became a fact. Brush has overwhelmed and hidden it. Fabric and tires disappear fast. Soon, we guess, it all gets down to the chassis.

Oxidation works away. Its shifts run round the clock. Red iron seeks red clay.

Was it by accident or design the car came to rest, to disintegrate, there? Design and accident both, maybe, not either/or. Also, after enough seasons of sun and snow, accident becomes design, you know, and design begins to seem improvised if not haphazard. When, who, what, why, and how leach into the where at which a steel frame comes to rest.

You can't see it from the road now, even if you could find the road and the place below. No, you'd have to know already it was there, and you'd look at the brush, and you might think, yes, yes I think that's the place, all right. All right.

Thursday, October 9, 2008

35. Flashlight Annie

So there was this old woman, almost a recluse, who lived in a shack with her son, who was in his 40s, unemployable, and alcoholic. So far, so good.

However, he'd walk up from the Flat into town around dusk, to the bar, where they let him run a tab, and he'd get drunk, usually on whiskey; he'd head home late at night, and often he fell into a large blackberry patch by the side of the road. We must remember that wild blackberry patches get monstrously large. They are entities unto themelves.

Imagine all the bad choices that lead a drunk to fall into a blackberry patch, the same blackberry patch beside a road the drunk knows well, and to fall in there more than once. I've imagined those choices. I've thought hard about lying drunk among those thorns, cut up, unable to move without making things worse, looking up at pine boughs or stars or, worst of all, the goddamned beautiful moon. Even as I look back to this local lore, I sympathize. Even if I laugh, I don't gloat. There but for the grace of God . . ., and I'm not kidding.

The old woman--her first name was Annie--always went looking for her son. She went out on the road carrying a flashlight, which cast a big yellow beam but which also had a red illuminated butt, which glowed like the tip of a lit cigar.

The town's big contribution to this complicated situation was to nickname her Flashlight Annie. No one ever walked the son home, steering him clear of the blackberry patch. No one tried to sober him up. No one tried to help Annie look for him. Now, if he had really gone missing and were not simply lying in the blackberry patch, someone would have called the sheriff, and a group of men would have gone looking for him. They might have even borrowed my uncle's bloodhound, and my father and uncle would have been among the men to join the search-party.

I don't want to give the impression that the town was cruel. It just had funny ideas about what was the town's business and what was private business. The plight of Annie and her son, the Sisyphus-like repetition of his journies home and her seeking him in darkness: the town regarded these as the business of only Annie, her flashlight, the blackberry patch, and her son.

I do not know how she was able to extract him from the patch each time. I wish I were in possession of this fact.

I picture her putting a plate of scrambled eggs in front of him the next morning, some catsup on the side of the plate, maybe a cup of coffee nearby, poured from a tin percolator. I imagine his face cut up "all to hell," as my father might say. I picture the flashlight back in its place in the shack, a place for everything, and everything in its place.

The red scabs of thorn-slashes belonged to the son's face. I imagine his hands shaking, as a drunk's hands will shake in the morning. I imagine the remorseful silence.

He is my son, and this is my life, and after he finishes his breakfast, I will wash the dishes: I imagine her thinking this, Flashlight Annie.

Saturday, October 4, 2008

34. Hunting

His father, his uncle, and their friends used to get up very early on Fall days and go hunting for deer.

The men wore bright red shirts because they did not want to be mistaken for deer and shot with rifles, or shot, period.

He understood that the difference in appearance between men and deer was more complex than the presence of a red shirt.

He also understood that men with rifles are likely to shoot the rifles at anything that moves as well as many stationary targets.

He grasped intuitively that wearing a red shirt had something to do with safety and improving one's odds of surviving a hunting expedition.

He did wonder, however, what the deer thought of the red shirts, whether the deer became more than a little depressed at the sight of the two-legged ones wearing red shirts in the colder season.

He liked sitting at the breakfast table while night still existed and listening to the red-shirted men munch bacon, slurp coffee, and discuss a variety of topics related to hunting. The men seemed ready for anything and in command of their lives. Some of these men had served in the U.S. armed forces during World War II. He hoped one day to be ready for something and in command of his life.

He liked going back to bed after the men had departed, the sounds of dogs and pickup trucks and voices disappearing, leaving the sounds of wind in pines and the muttering wood-burning stove. Sometimes he read a pulpy novel. Usually he just went back to sleep.

He did not like the idea of being a deer and getting shot or watching one of the herd-members bleeding to death in manzanita brush.

He liked the taste of fried fresh deer liver and deer heart, however, and he ate them without remorse.

He did not like the idea of killing deer. Leaving the deer alone seemed altogether more fair and less trouble than searching for them, shooting them, packing them, skinning and gutting them, and so on.

He liked the smell of a freshly skinned deer. The smell was rich and slightly salty.

He assumed one day deer-hunting would die out and the deer would not miss it.

He very much liked the idea of wearing a read chamois shirt--so soft and so bold the shirt was, so very ready for anything that might happen in the garment world, so very much in control of its dyed-fabric life.

As things turned out, he never killed a deer; in fact, he never tried to shoot one. A couple of times, while he was driving a car at night on swooping, curving, diving Sierra Nevada highways, the headlights of the auto he was driving seized the image of a deer running across the asphalt. He had always been able to stop in time, however, so he had never killed a deer by accident, even if he happened to be wearing a red shirt. He remembers eating the heart and liver of deer, even as this had occurred so long ago. He is not nostalgic for such fare. He remembers. That is all.